The EK 6042 is a true diversity two channel receiver. It is designed to fit into all standard receiver slots on cameras. Its highly compatible to a wide range of Sennheiser wireless microphones be it analog or digital and can connect to virtually every Sennheiser wireless system including G3, 2000 series, 3000/5000 series and digital 9000. With the built-in web server, setup is easily managed using any browser including imports and exports of the entire configuration.
The EK 6042 is SuperSlot™-compatible and works seamlessly with your existing equipment. Same for ARRI, Panasonic and Sony. The optional accessories like backpanel adapter and battery pack makes it possible to use the EK 6042 stand alone as well. The automatic configuration makes it possible to set up any microphone in less than 5 seconds.
the MD 431 ranks amongst Sennheiser’s most exceptional microphones and is suitable for vocal, speech and broadcasting applications. Exceptional feedback rejection. Shock-mounted capsule for very good rejection of handling noise, with a Hum compensating coil.
The MD 46 is a high-quality reporter’s microphone with cardioid pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 46 is a very ‘good-natured’ microphone whose design avoids wind and handling noise problems.
Universal M-S stereo shotgun microphone. For every type of application in film, radio, television, and reporting, both indoors and outdoors. Compact design, very good consonant clarity and spatial representation.
A Short shotgun interference tube mic, Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications.
Ultra-light, digital mini-bodypack for discreet but maximum performance on stages during musicals or theatrical performances and broadcast applications. The metal housing is water and sweat-resistant; the exchangeable battery guarantees 12 hours of continuous operation. State-of-the art transmission technology provides reliable performance and an equidistant frequency grid for highly demanding HF conditions.
The SKM 5200 continues the tradition of the world class SKM 5000. Elements like the award winning design, capsules and the modularity were kept the same. The mechanics, electronics and the user interface were completely redesigned and adapted to the highest requirements of live events.
The SKM 5200 transmitter convinces through robust mechanics, a high frequency agility and a menu driven user interface via the backlit LC-display.
The SKM 5200 is available in three colours: Black, nickel and steel blue (haematite). The handheld transmitter is compatible to all capsules, battery and rechargeable battery compartments of the 5000 series as well as the Neumann microphone heads.
The receiver of this in-ear wireless monitoring set works with Adaptive Diversity Technology. The cable of the earphone is used as second antenna. Thus, significantly fewer dropouts can be achieved. It is compatible with all In Ear headphones with a 3.5 mm jack plug and provides an authentic picture of the live sound, allowing perfect performance control.
Rugged, reliable, and flexible – in short: professional. With SR 2000, you can choose from 26 frequency banks with up to 32 channels. The channels can be user-programmed six of the frequency banks. Three switchable RF output powers (10, 30, and 50 mW – additionally 100 mW in the US version) provide greatest artistic and technical freedom.
The SR 2050 rack-mount dual transmitter is an in-ear monitoring system designed to meet the highest demands for audio quality and RF transmission and is therefore the first choice for professional touring, broadcast, musical and theatre applications. Network-compatible and remotely controllable with the Wireless System Manager (WSM) software.
Robust, reliable and flexible – in short: professional. With the SR 2050 rack-mount twin transmitter, 26 channel banks with up to 32 channels are available. In six of the channel banks the channels are freely programmable. Three switchable RF output powers (10, 30, 50 mW – in the US version additionally: 100 mW) ensure maximum artistic and technical freedom.
The handheld transmitter SKM 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits maximum spectral efficiency even in the toughest frequency ranges. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability.
The SKM 6000 is compatible with Sennheiser and Neumann capsule heads and hence perfectly prepared for any stage, voice and requirement (evolution wireless, 2000, Digital 9000, Neumann KK 204 and KK 205).
The special magnesium housing offers the perfect balance between low weight and live-compatible robustness.
The lithium-ion battery pack BA 60 ensures up to 5.5 hours of operation; there is also the option of operation with batteries using the battery set B 60.
The transmitter is also compatible with the EK 6042 and the EM 9046 in Long Range mode.
Sennheiser SKM 9000 Handheld Transmitter – Experience the outstanding clarity of the SKM 9000, a world class digital handheld transmitter coping with every challenge in broadcast and theatre.
The SKM 9000 is compatible to evolution wireless and 2000 series microphone heads as well as two Neumann heads, KK 204 and KK 205. Three new heads, ME 9002, ME 9004 and ME 9005, feature a very low handling noise with a low pop sensitivity combined with the transparency of permanently polarized condenser microphones. The dynamic head, MD 9235, is the specialist for loud live sound stages. The digital audio transmission of the SKM 9000 offers arrestingly great dynamics.