As the curtain fell on an unforgettable UEFA Women’s EURO, Gravity Media proudly celebrated its role, on behalf of UEFA, in delivering global live coverage of this landmark sporting event.

Technical teams from Gravity Media, representing four different countries, collaborated to deploy outside broadcast (OB) units at seven of the eight venues across Switzerland. By combining cutting-edge technology with exceptional talent, Gravity Media successfully produced the tournament for UEFA, culminating in the final, which saw England crowned champions.

Many of the matches were delivered by crews with a strong female presence – including guarantees and department heads – marking another important step in Gravity Media’s ongoing commitment to gender diversity and inclusion in the broadcast industry.

Gravity Media’s specialist camera team also supplied in-goal mini cameras for the host broadcast, while the radio frequency team provided crews and transmission links for Steadicams across seven of the tournament’s stadiums.

Additionally, Gravity Media delivered selected unilateral services on behalf of visiting broadcast partners during UEFA Women’s EURO 2025, including both fully and partially equipped commentary positions.

The Gravity Media teams worked together across all the host cities, led by Chrissie Collins, UK Head of OB Client Delivery, who commented:

“This has been a true testament to our global collaboration. Our teams have worked seamlessly across all the host cities to provide world-class coverage of this incredible tournament. It’s been especially inspiring to see so many talented women at the heart of our facilities’ delivery, and I’m incredibly proud to be part of such a formidable and passionate team.”

United Kingdom
NOVA 118 was deployed from the UK to multiple stadiums in Switzerland. Serving as a central hub and designed for maximum flexibility and efficiency, the OB truck allowed Gravity Media’s technical teams to deliver consistent coverage throughout the tournament.

Netherlands
From the Netherlands, Gravity Media deployed NOVA 106 and NOVA 107 to three stadiums with a dedicated technical team including camera operators, senior vision and EVS guarantees, communications engineers, audio technicians, riggers and a travelling team of three shaders.

Italy
NOVA 103 was stationed in Bern, staffed by a ten-person crew. Gravity Media’s Italian team successfully covered four matches, including three group-stage games and the quarter-final between Spain and Switzerland.

Belgium
Gravity Media Belgium contributed a travelling team comprising four ENG camera operators, two engineers and one audio assistant, working throughout Switzerland. Meanwhile, NOVA 102 was on-site at St. Gallen, staffed with a six-person crew.

Eamonn Curtin, Chief Commercial Officer, commented:

“Our work at the Women’s EURO has been a powerful reflection of our international capability, collaborative spirit, and technical excellence. As we step into a bold new era with our refreshed brand identity, we are proud to support iconic events like the UEFA Women’s EURO with the dedication and quality that define our teams around the world.”

This tournament marks the beginning of an exciting new chapter for Gravity Media, as the company continues to expand its global footprint and shape the future of production, content, media services and facilities.

Three-Year Partnership to Enhance Event Accessibility and Champion LGBTQ+ Inclusion Across the Broadcast Industry 

London, 12 June 2025 — EMG / Gravity Media is proud to announce a new three-year partnership with Pride in London, becoming the official Broadcast Partner for one of the world’s most significant celebrations of LGBTQ+ communities. 

As part of this multi-year deal, EMG / Gravity Media will deliver full-scale Live broadcast coverage of Pride in London, capturing the energy, diversity and spirit of the parade and associated events for audiences across the UK and beyond. The partnership reflects a shared commitment to making Pride in London more accessible than ever before — both for those attending in person and for those celebrating remotely. 

The collaboration also goes far beyond broadcast. It represents a powerful statement of intent to champion equality, inclusion and representation across the media landscape. As part of the agreement, EMG / Gravity Media will actively promote and support LGBTQ+ staff, freelancers and suppliers, reaffirming the organisation’s commitment to creating a diverse and inclusive working environment. 

Jamie Hindhaugh, Regional CEO of EMG / Gravity Media, said:
“Pride in London is a landmark moment on the cultural calendar, and we’re honoured to play a role in bringing its message to the widest possible audience. This partnership is also a vital opportunity for us to stand up for inclusion and to celebrate the LGBTQ+ members of our community who help drive our industry forward.” 

Christopher Joell-Deshields, CEO of Pride in London, said:
“We’re thrilled to welcome EMG / Gravity Media as our official Broadcast Partner. Their expertise in delivering world-class content, combined with their proactive commitment to diversity and inclusion, makes them a perfect partner as we continue to grow and evolve Pride in London.” 

The 2025 event will build on the coverage EMG / Gravity Media delivered in 2024 and mark the beginning of this groundbreaking partnership, with live and on-demand content made widely available across digital platforms including YouTube, TikTok and Instagram, allowing audiences everywhere to join in the celebration, no matter where they are. 

James Poole, Pride Project Lead at EMG / Gravity Media, added: 

“We are absolutely delighted to announce this partnership with Pride in London and to work together to achieve the goal of making the event more accessible than ever. In 2024 working with our partners, we were able to introduce innovations like Live Subtitling for the first time, and we are looking forward to announcing details of this year’s coverage which is even more ambitious, very soon.” 

A New Era in Tennis Production 

EMG / Gravity Media and ATP Media have introduced a cutting-edge remote production workflow for ATP Media Studios, further enhancing its flexibility on delivering innovative broadcast solutions. This development follows the success EMG / Gravity Media had in Formula E, where the team implemented a similar system to reduce carbon emissions and logistical complexity. 

At the heart of this transformation are two newly designed remote production pods, built to streamline operations for ATP Masters 1000 tournaments and the Nitto ATP Finals. The initiative reduces on-site personnel while maintaining the highest broadcast quality, aligning with the industry’s push towards more efficient and sustainable production models. 

A Plug-and-Play Solution for ATP Masters 1000 and Nitto ATP Finals 

The project took about a year to develop and was delivered in January, in time for the start of the ATP Tour season. The pods are compact and designed to fit within a Q6 pallet, making them highly transportable via both air and sea freight. The Q6 pallet has a tare weight of 120 kg (265 lb) and a volume of 17.0 m³ (600 ft³) with a height of 243.8 cm (96 in). Their transportable nature allows seamless deployment between venues: while one pod is in use, the other is en route to the next tournament, ensuring there is never a delay in delivery and setup. 

The system provides a plug-and-play solution that integrates smoothly with ATP Media Studios’ existing engineering infrastructure, supporting world feed contribution and court feed distribution—the backbone of ATP Media’s broadcast operations. The pods significantly reduce the number of personnel required on-site while maintaining the same level of production quality expected from a world-class sports event. 

Key features of the ATP Media Studios pods include: 

This remote pod setup streamlines logistics and reduces costs, offering a more flexible and sustainable approach for ATP’s broadcasts. 

Remote Production at WestWorks 

The ATP Media Studios remote production model is fully integrated with WestWorks, EMG / Gravity Media’s state-of-the-art, 50,000-square-foot production facility in London. WestWorks serves as the central hub for live event feeds and supports both on-premise and distributed remote production workflows. 

With up to 90 outgoing video and audio lines and over 160 feeds coming into ATP Media Studios for a single event, the system delivers unparalleled efficiency.  

ATP Media Studios significantly reduces the reliance on on-site infrastructure while allowing a centralised production team to oversee multiple courts simultaneously​. 

Lessons from Formula E: Sustainable and Efficient Production 

The ATP Media pods are an evolution of EMG / Gravity Media’s work in Formula E, where similar remote workflows drastically cut costs and environmental impact. In Formula E, EMG / Gravity Media deployed two transportable production pods that connected to the WestWorks facility, reducing on-site personnel by 58% and air freight by 40%​. 

In both ATP Media and Formula E, the key to success has been robust connectivity. Tata Communications supplies primary and backup fibre connections, ensuring the seamless encoding and decoding of signals using H.264, H.265 HEVC, JPEG XS, and NDI over RTP technologies​. 

The Future of Sports Broadcasting 

The introduction of remote production pods for ATP Media Studios underscores EMG / Gravity Media’s leadership in transforming sports broadcasting through innovation. By integrating advanced remote workflows and leveraging the experience gained, they have created a model that enhances production quality while improving efficiency and sustainability. 

As the sports industry continues to evolve, remote production solutions like these are set to redefine how live events are delivered, reducing logistical challenges while maximising efficiency and broadcast excellence. With ATP Media Studios now benefitting from this pioneering technology, the future of tennis broadcasting is more agile, cost-effective, and environmentally conscious than ever before.