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The Sennheiser SKM9000 Radio Stick mic is designed for professional use in broadcast studios, theatres and live performances. It delivers a clean sound quality free of unwanted sonic artefacts due, in part, to its unique uncompressed digital audio transmission. That’s why it’s the mic of choice for many live performance producers, where there’s no opportunity…
We understand that these are very worrying times for all our clients, people and suppliers given the impact that the coronavirus is having on our industry, families and friends. Gravity Media exists to create world-class content that inspires and excites. Our 500 people serve clients in all markets, from sport and media to news and…
Here at Gravity Media we are doing what we can to help our clients during this difficult time. With the lack of live sporting events to cover, broadcasters are looking for alternatives to fill the empty hours on their channels. Our centrally managed digital archive management system allows our clients and their partners to simultaneously…
Although sport productions still have a long way to go before they can be considered green, their environmental impact is increasingly becoming part of the conversation and planning process. But this desire for green productions always has to be balanced with the commercial and business arguments – competitive pricing and doing more for less while…
Business formerly known as HyperActive Broadcast switches operations to new base near Farnborough Airport Watford, UK, 23 March 2020 – Gravity Media, the leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors, has moved its UK post-production equipment rental business to a larger facility. Its new home is…
Over the weekend of February 29 to March 1, Gravity Media’s engineers Stephanie Matthews, Jim Duval, Tim Ash, Alex Summer and Paul Windsor were on location alongside mobile production unit Columbus at the Dignity Health Sports Park in Carson, California, to cover the LA Rugby Sevens for Sunset+Vine. Sixteen teams from around the world competed in 45…
Gravity Media may have missed out in the Best Sports Programme category at the RTS Programme Awards 2020, but the UK Production & Content team (known at the time as Input Media) were thrilled to be shortlisted for its coverage of the FIFA Women’s World Cup semi-final between England and USA last July. The live broadcast on BBC…
The Sony HDC-P50 is an outstanding camera. It’s a highly compact and lightweight, quiet and energy-efficient POV system camera, featuring the world’s first 2/3” 4K global shutter three CMOS sensor system that delivers exceptional images with impressive sensitivity and wide dynamic range – and all to the ITU-R BT.2020 broadcast standard. The three 4K sensors…
Gravity Media has supplied Global/Capital FM with a comprehensive production setup for The Global Awards 2020, broadcast live on the evening of Thursday 5 March. Global, the media and entertainment group, created The Global Awards in 2017 to celebrate the stars of music, news and entertainment across a wide range of genres. For this third…
Gravity Media facilitates a lot of live streaming for Telstra, the well-known Australian telecoms and technology company. Last week, for example, we produced two live streams for the client – one for International Women’s Day and one for CEO All Hands, an all-staff communication from the company’s management team. For the latter, a panel of…
Head of Commercial Development Jonathan Endley is key to the continued expansion of Gravity Media’s France-based operations. Primarily focused on new markets and new methods of content delivery, Jonathan brings relationship management prowess and a high level of commitment to the role. He’s the driving force behind the successful and continued development of new partnerships…
Image: PRiME Media Images / Alamy Stock Photo Gravity Media’s Production Centre, London, enjoyed a busy and successful delivery of the FA Cup Fifth Round. As well as the eight world feeds for broadcasters around the world, highlights programming and digital clips, there were also two major outside broadcasts comprising of 15-cameras at both Leicester and Reading. Before the…
