Mana Sports and Entertainment Group global lead to spearhead the broadcast for Pho3nix Sub7 Sub8 Project.
Sydney, Australia – 14th March, 2022 – Mana Sports and Entertainment Group today announced Gravity Media as the broadcast partner for the Pho3nix Sub7 and Sub8 Project, powered by Zwift, set to take place on the 5th or 6th of June 2022 at the Dekra Lausitzring in Germany.
Gravity Media is a global leader in broadcast solutions covering triathlon and similar events for 15 years. Their pedigree spans the inaugural Super League Triathlon broadcast at Hamilton Island and Ironman documentaries, as well as providing experienced and agile production teams to service large projects such as Olympic Games coverage and world-class technical provision for global broadcasts such as the Australian, US, and French Opens.
The broadcast requires top-notch production capability backed by years of experience to showcase the audacious attempt for Alistair Brownlee and Kristian Blummenfelt to go under seven hours and Nicola Spirig and Lucy Charles-Barclay to go under eight hours over the demanding full distance of triathlon.
The Sub7 and Sub8 Project involves a 9.5-hour live broadcast: 8 hours of live racing bookended with pre- and post-show content, featuring a host of special guests, pre-recorded content and technical analysis. The broadcast will be globally available for free via streams on sub7sub8.com, as well the Pho3nix Foundation YouTube and Facebook platforms.
With a new standard of human physical achievement likely to be set, the live broadcast will also be supported by a widely distributed one-hour highlights program to tell the story purely from the athletes’ perspective and cover the full lead-up and race week experience.
“It’s a pleasure for Gravity Media to be working alongside Mana Group to bring the Sub 7 Sub 8 project to global screens,” says Mike Purcell, Head of Production for Gravity Media in Australia. “This innovative and gruelling triathlon world record event will be matched by our innovative broadcast technology to engage fans through interactivity and immersion by being put in the athletes’ shoes through backstories and on-screen race data analytics.”
Pho3nix Foundation board member and Mana CEO Chris McCormack says, “Gravity Media and Mana’s senior leadership team have a long track record of collaborating on world-class, innovative broadcast productions, including the development of the inaugural Super League Hamilton Island broadcast. Gravity Media are willing partners who share our vision, are willing to challenge the norm and have a thirst for entertainment-led sports productions. We can’t think of a better partner to bring this extraordinary attempt to screens across the globe.”
To find out more about the Pho3nix Sub7 and Pho3nix Sub8 Project Powered by Zwift, visit the official website at: https://www.sub7sub8.com/
PRESS COVERAGE
This year, the third annual Daily Telegraph Bush Summit was held online for the first time on Friday 29th October in Sydney. The event brought together community leaders, farmers, industry bodies, and policy makers to discuss crucial economic, social and political issues for regional communities in NSW.
Hosted by The Daily Telegraph Editor, Ben English, the Bush Summit 2021 covered four key themes of irrigation, population, regeneration and disruption. The event included keynote addresses from Prime Minister Scott Morrison, and featured an extensive guest list with Deputy Prime Minister Barnaby Joyce, NSW Premier Dominic Perrottet, State and Federal Opposition Leaders Chris Minns and Anthony Albanese, Atlassian CEO Mike Cannon-Brookes, former Prime Minister Tony Abbott, and NSW Farmer President James Jackson amongst other prominent business leaders in Australia.
Gravity Media facilitated the Bush Summit in our studio at the Production Centre in Sydney and provided a complete solution with studio floor and control room crew for the important 6-hour event, which was livestreamed to a national audience on The Daily Telegraph website.
The 9-metre LED wall in the studio provided a dynamic background with virtual guests from around Australia and abroad, joining a series of panel discussions about the importance of trade in regional communities, and the impact of the pandemic. The event culminated in the formation of a communique to the NSW state government, a list of actions that are vital to the improvement of living in the bush.
To find out how Gravity Media can help you with your next production, email enquiries@gravitymedia.com.
The Cash Converters Supercars E Series has wrapped for 2021!
After an incredibly successful season last year, the series came back in 2021, bigger than ever before.
Hosted by Supercars Hall of Fame inductee, Neil Crompton, The Cash Converters Supercars E Series took place over six weeks filming at both PCS (Production Centre Sydney) and PCM (Production Centre Melbourne) to service all the needs for the Eseries broadcast. Regular Eseries commentators Chad Neylon and Johnathon Simon also joined to call the qualifying sessions and races from our studio in Melbourne.
While most sports suffered throughout 2020, the Supercars Eseries was able to thrive under the lockdown environment, with racers able to participate from their homes via video conferencing. The series made headlines around the globe, with elite drivers joining the series from F1 to NASCAR.
The 2021 series offered fans a brand-new framework with a mix of main game Supercars drivers and pro gamers, competing for a top prize of more than $20,000 AUD. The competition was broadcast live in prime-time television, along with a range of digital platforms – Fox Sports 506, Kayo, 7Plus, as well as streamed on Supercars’ Twitch, Facebook and YouTube channels.
To find out how we can help with your next production, email enquiries@gravitymedia.com
The display wall has already been deployed for this summer’s games and Supercars E Series
Sydney, Australia, 29 September 2021 – Gravity Media – the leading provider of complex live broadcast facilities and production services to content owners, creators and distributors – continues to develop its new broadcast technology offering with the installation of the only broadcast studio 1.2mm pixel pitch display LED wall in Australia at its Production Centre in Sydney (PCS).
The new LED wall installation enhances Gravity Media’s already impressive technology offering, both as a rental and facilities provider, which is used by clients and partners across the world. The investment into the wall follows an increasing popularity in LED video wall technology due to the clear and seamless images it delivers on camera. The versatility of the wall means that content looks great from any angle as it provides the ability to scale images or videos to any shape or size.
Gravity Media’s new LED wall stands at a massive 10 (w) x 2.5 (h) metres, with a resolution of 6400 x 1920, and provides a vibrant, high-definition backdrop perfect for sharing information and entertaining in unique and innovative ways.
The LED wall has already proven popular among clients including Seven Network and Supercars. In the lead up to this summer’s games, Seven Network approached Gravity Media, seeking out the best possible screens in the market to deliver one of the world’s most iconic events. Gravity Media was able to deliver the most elite product for the broadcast with the new 1.2mm pixel pitch display.
Supercars used the PCS and the incredible versatility of the LED wall for their Cash Converters Supercars E Series. The PCS acted as a production’s main hub with the LED wall installed in a dedicated studio, using it to display various feeds managed from the control room. Camera feeds of two commentators were sent from Gravity Media’s PCM (Production Centre in Melbourne) via fibre to the Sydney facility and played out on the LED wall the programme’s host could easily interact with their colleagues.
For more information on Gravity Media’s Production Centres, visit staging.gravitymedia.kastage.co.uk.
The Olympic Games have always been, by far, the most complicated sporting event to broadcast.
Gravity Media’s challenge to facilitate the Seven Network’s coverage had to consider the increased diversity and volume of events run concurrently over little more than a fortnight, each requiring specialised production, channeled through a labyrinth of media platforms.
Then, when you throw in the layers of preparation required for the uncertainty of an international pandemic and Tokyo 2021, it makes the challenge that much more incredible.
Gravity Media partnered with Seven to organise the network of communications, using a combination of leased and itinerant services between all our locations across four countries, from RBC & BCM in Melbourne, IBC in Tokyo, The Production Centre in Sydney (PCS) and facilities in London. All sites were able to talk to each other using more than 136 talkback panels and 780 ports.
330 staff worked 75,000 hours across four production locations, each operating under strict compliance. But the broader situation of multiple state policies towards COVID-19, and the fluid situation in Tokyo itself, had the entire project on a knife edge, needing to pivot whichever way the outbreak turned, in Tokyo or Australia.
More than 600 hours of live coverage across two FTA HD Broadcast channels, and 13,000 hours of 7Plus HD Digital and VOD content were delivered flawlessly under these extraordinary conditions, using three studios with live hostings across two states. A three-hour highlights package was edited and played out simultaneously following 16 hours of live coverage daily. IBC Production based in Tokyo added to the Sydney and Melbourne control rooms and a DR control room. The flexibility that had to be built into this system was a credit to everyone involved in months of planning. Multiple options and back-ups had to be built into an already complicated system.
Logistically, the same flexibility had to be applied. 25,000 meals had to be served over 21 days – all under COVID protocols, with little warning as to which centre the production might have to rely on if government policy changed.
Our team of project and production managers had to provide multiple versions of floor plans and prepare for ever-changing guidelines for staff location and service capability.
In Tokyo, this required a web of connectivity to ensure a seamless blend of host and rights-holders broadcasting to provide for all those platforms. More than 90 SDI fibre feeds. Five connected venues integrating mixed zones, hosting positions, and ISO cameras.
If that’s not impressive enough, more than 80 incoming circuits and 20 outgoing video circuits at the RBC enabled OBS IP feeds, IBC/PCS and BCM SDI feeds. There were two MDS Satellite Downlinks for international signal backup and content delivery. Four Craft Edits and three Fast Edits at RBC with remote edit access at PCS, along with two Fast Edits at PCS and three Fast Digital Edits. There were four Off Tube Booths at RBC and two OTB’s at PCS with an additional VO Booth.
The stakes were high, as any breakdown in this vast network of interactivity – whether COVID-induced or technical – could compromise the integrity of the production. However, through all the up’s and downs, Gravity Media was able to deliver a flawless event, which in turn gained Seven the highest ratings and streaming numbers ever for an Olympic Games.
This amazing achievement during such unpredictable times is a credit to all the teams across Gravity Media and the Seven Network.
To find out how Gravity Media can help you with your next production, email enquiries@gravitymedia.com.
Gravity Media is thrilled to have partnered with Milkmoney and Destination NSW to deliver a dazzling harbour-side shoot for the worldwide release of ABBA’s brand new album: ‘Voyage’ on Friday 3rd September.
After a 38-year hiatus, ABBA have launched their new album via a series of spectacular global moments, featuring Sydney’s Harbour Bridge.
For the event, Gravity Media provided ground camera crew and drone crew in the early hours of the morning to capture the brilliant light display and album artwork projection that illuminated the iconic Sydney Harbour Bridge, along with control room facilities to view incoming feeds, direct, edit and deliver the content in time for the live launch that same morning.
Sydney joined eight other cities around the world – Tokyo, London, New York, Stockholm, Rio, Reykjavik, Berlin, Cape Town – in celebrating the much-anticipated album with the vision of the Sydney Harbour Bridge featured in the livestream on ABBA’s official YouTube Channel.
To find out how Gravity Media can help you with your next production, email enquiries@gravitymedia.com.
Sydney, Australia, 01 September 2021 – Gravity Media – theleading global provider of complex live broadcast facilities and production services to content owners, creators and distributors – has been chosen to deliver the technical infrastructure and facilities for the Cash Converters Supercars Eseries. Taking place on the iRacing platform from 25 August to 29 September, the Eseries offers fans a mix of Supercars main game drivers and elite sim racers, with teams competing for the top prize of more than $20,000.
Gravity Media’s Production Centres in Melbourne (PCM) and Sydney (PCS) will service all the needs for the Eseries broadcast. PCS will act as the main hub, with a dedicated studio setup housing a 10m x 2.5m LED wall to display various feeds managed from the control room. At PCM, a single camera, commentary kit and 103” Live Screen background will house the two main commentators – with audio embedded onto separate tracks via the camera feed and sent via a direct fibre service to the Sydney facility.
A dedicated IP audio circuit between PCM and PCS will facilitate the live commentary, as well as accommodating production and technical communications between the two facilities.
In addition, due to government lockdowns in New South Wales, Gravity Media will supply communications to the remote support team for the gaming equipment. This will consist of an IP system enabling the remote team to speak directly to the director, producer and onsite operators from within the control room at PCS. For the remote drivers, Gravity Media will integrate cameras via Zoom to allow the producer to select individual drivers during the races and interview them afterwards through communications integrated into PCS via Discord.
The Eseries program will be sent through to FoxSports to be integrated on its Foxtel channel, Kayo on its IP sports platform and Network 7 for its IP service 7Plus. Gravity Media will also encode a live stream of the control room for feeds on Facebook, Twitch and YouTube.
“We’re very pleased to be working with Gravity Media on this event. The company’s unparalleled experience and expertise in delivering high-quality broadcast infrastructures made it the perfect choice,” said Nathan Prendergast, general manager – television & content at Supercars Australia. “This project may have thrown up a few unexpected challenges, but we have no doubt this will be a fantastic event that delivers a top-quality experience for our fans.”
“Esports is continuing to grow rapidly, so we’re delighted to be involved in such a high-profile event at this exciting time for the industry,” said Ben Madgwick, Director of Media Services & Facilities, Gravity Media Australia. “Although the ongoing complexities of running a production in a COVID world – particularly with recent local lockdowns – presented some challenges to overcome, our team is well versed in adapting to any situation and providing innovative solutions that ensure the best possible delivery.”
Our Sydney Production Centre is located at Artarmon on Sydney’s North Shore. Extremely popular with both domestic and international clients, the facility boasts two purpose-built studios available for dry hire or fully crewed, with make-up rooms, green rooms and lounge areas, plus kitchens and dining facilities, parking and loading docks.
There are two live-broadcast control rooms with all the latest technology, including vision mixer, audio mixer, EVS and graphics. These control rooms are supported by our large MCR, which oversees our abundant Telstra fibre connectivity, allowing content to be sent to or received from anywhere in the world at a moment’s notice. With 11 high-end edit suites, a premium audio-post suite and in-house motion design capability, this facility has it all.
Services
The Production Centre, Sydney offers live studio and production services, as well as digital media delivery. Its reach covers leading TV networks, sporting federations, entertainment franchises, agencies and commercial brands. The wide range of services available to all clients includes:
- Live studio-based productions
- 24/7 broadcast TV channel play-out and management (FTA, Pay, IPTV)
- High-quality video production services, post-production and motion graphics for branded content and TV commercials
- Live OB television production management services
- Live event streaming and distribution management services
- Catch-up TV encoding and publishing services
- High-quality live streaming and VoD encoding for online, IPTV and apps
- Secure video encoding and digital media content management services.
Recent work
Among recent projects at The Production Centre, Sydney are the Supercars Championship and Telstra’s below-the-line video content.
For the 2020 Supercars season, we facilitated the World Feed and Unilateral broadcasts, supplying full track camera coverage, pit lane wireless and specialist cameras, in-car cameras, GFX and team radios, as well as a complete onsite non-broadcast communications solution.
And when COVID-19 forced borders to close, we swapped our onsite setup for a remote production solution: remote control rooms, hostings, race control, QC… each vital production element coordinated from the Production Centre and delivered flawlessly from venues as far as 4,000 km (2,500 miles) apart.
Meanwhile, our Corporate & Commercial team has been helping Telstra with the production of creative video content, including product and service videos, TVCs, brand campaigns, and a variety of online and social media pieces.
Recent months have seen us deliver a live virtual trade show, and videos on employee wellbeing, leadership, product launches and human-interest stories. The Gravity Media team includes directors, producers, copywriters, editors, motion designers and production managers, who are here to see each project through from concept to asset delivery.
Gravity Media has been producing the What’s New on Telstra TV monthly videos from the studios at the Production Centre in Sydney since early 2019.
Currently hosted by Ryan Dunn and Janet Akl, the episodes highlight a selection of upcoming content streaming on Telstra TV – from Telstra TV Box Office to content from partners such as BINGE, Netflix, Stan, Foxtel Now and Kayo. An overview of each piece of content is presented by the hosts and intercut with footage leaving the audience keen to watch more! The monthly video is also often used to demonstrate new product features of Telstra TV and to launch brand new streaming apps on the device.
Gravity Media supply studio facilities, complete with studio production and control room crew. Our pre-production and post-production services utilise our various edit suites and skilled editors to assemble the raw footage, music, sound effects and graphics into the final product.
The current set involves black flooring accompanied by Gravity Media’s generic studio fab frames and light boxes which are set to the client’s colour scheme. Hanging monitors are used on set to show posters of the content being presented.
To find out how Gravity Media can help you with your next production, email enquiries@gravitymedia.com.
On Tuesday 22 June, Gravity Media facilitated the NAIDOC Week Livestream for the NSW Department of Education.
NSW public schools celebrate NAIDOC Week every year to reflect and celebrate the history, culture and achievements of the First Nation peoples – recognising them as the Traditional Custodians of the land.
NAIDOC is not just a celebration for Indigenous communities but for all Australians. The week is an opportunity to participate in a range of activities and to support the local Aboriginal and Torres Strait Islander community.
This year, NAIDOC Week 2021 involved a virtual celebration via video stream, hosted by the Aboriginal Outcomes and Partnerships Directorate. The celebration featured a smoking ceremony on Darug Country with musical performances by Ziggy Ramo and Inner West Performing Arts School.
Gravity Media provided a three-camera broadcast/livestream solution on location at the NSW Department of Education. The broadcast feeds were fed via LiveU cellular technology back to the Production Centre in Sydney where it was directed, switched and played out online by our crew in the control room.
To find out how Gravity Media can help you with your next production, email enquiries@gravitymedia.com
Gravity Media teamed up once again with Telstra Purple and their creative agency partner Imagination to produce the Telstra Purple Realise Cloud event on May 26.
Telstra Purple is the largest Australian-owned technology services organisation, providing services and solutions for businesses around the world.
Telstra Purple Realise Cloud is an invitation-only event that brings together leading experts in their fields as well as best in class partnerships, to unlock the best outcomes for businesses.
Hosted from Telstra’s Customer Insight Centre Theatre in Sydney and integrated in Telstra’s Studio T, Gravity Media provided full camera and broadcast equipment complete with crew and post-production services to deliver the exclusive five-hour livestreamed event.
To find out how Gravity Media can help you with your next production, email enquiries@gravitymedia.com
Gravity Media provided production crew and equipment for the Transurban Investor Day Livestream which was held at the Telstra Customer Insight Centre Theatre and Studio in Sydney. Transurban are one of the world’s largest toll-road operators that manages and develops urban toll road networks in Australia, Canada and the United States.
Transurban’s annual Investor Day provides the opportunity for the investment community to interact with the Group, outside of the statutory reporting cycle. This year the Investor Day included presentations by all members of the Executive Committee, with a particular focus on the opportunity pipeline and Environmental, Social and Governance (ESG) factors.
While the event is usually held in-person, and via audio webcast, this year’s Investor Day was fully virtual and took advantage of available technology to create an engaging and professional online experience for attendees.
For the event, Gravity Media helped facilitate live hostings from Telstra’s Studio T, a multi-camera setup for a six-person panel session in the Theatre, a full integration of the broadcast from the Studio T control room and signal encoding at Gravity Media’s Production Centre in Sydney.
For more information on how Gravity Media can help you with your next production, please email enquiries@gravitymedia.com.